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13th Dance & Non-verbal Theatre Festival San Vincenti
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Produced by:
Zagreb Dance Company
Hebrangova 36
10000 Zagreb, Croatia
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Protomembrana
2011/07/23

Protomembrana

Author, Performer and Drawings: Marcel.lí Antúnez Roca

Animation: Liliana Fortuny

Programming: Matteo Sisti Sette

Music: Alain Wergifosse

Photography: Carles Rodríguez

Video: Lucia Egaña Rojas, Francis Gómez de la Cruz

Light Designer: Oriol Ibañez

Props: Ruth Aleu, Álvaro Sosa

Models: Lucia Egaña Rojas, Emi Martin, Perla Mesa, Giulia Mattioli, Adelaida Antúnez, Àlvar Antúnez, Marcel.lí Antúnez Roca.

Joy-dreskeleton: Hector López

Technical Production: Oriol Ibañez

Assistant technical producer: Lucia Egaña Rojas

Management and Producer: Eva Vilaró Móra

Panspermia Production SL. in collaboration with ICIC -Institut Català de les Indústries Culturals, Generalitat de Catalunya, Departament de Cultura i Mitjans de Comunicació, INAEM, Spanish Ministry of Culture, ICUB Institut de Cultura de Barcelona, d-lab (Dedale/París), Arcadi (París).

Protomembrana is a mechatronic lesson, in the guise of a performance, featuring a dreskeleton, an interactive audiovisual environment and a range of dynamic interfaces.

The performance uses, in addition to verbal narration, graphic animation, music and lighting. All these scenic elements are treated as interactive elements which are controlled by means of various interfaces. Apart from images and sound, this interactive story uses other devices such as a camera/gun and a touch sensitive costume. At times, the use of these appliances transposes the Protomembrana performance to the sub-genres of hypnosis and magic.

Marcel·lí Antúnez Roca, a founding member of La Fura dels Baus, artistic coordinator, musician and performer, internationally well-known for his mechatronic performances and robotic installations.

The incorporation and transgression of scientific and technological elements, which he has been using since the early nineties, in addition to the technical means for interpreting them consisting of unique and specific devices, have produced a new cosmogony that is warm, raw and ironic.

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