THE LANGUAGE OD THE WALLS

CONCEPT AND CHOREOGRAPHY: Guy Weizman & Roni Haver

MUSIC: Elad Cohen

ASSISTANT CHOREOGRAPHERS: Eva Puschedorf, Olivera Kovačević Crnjanski

DANCERS: Maja Grnja, Andreja Kulešević, Jelena Marković, Frosina Dimovska, Ana Lečić, Olga Avramović, Danijela Vojinovski and Istvan Čik, percussionist

STAGE MANAGERS: Olgica Banovčani- ni, Tanja Cvijić

LIGHT: Vladislav Milovanović, Marko Radanović, Tihomir Boroja

SOUND DESIGN: Dušan Jovanović

SOUND ASSISTANT: Predrag Petruševski

STAGE TECHNICIANS: Zdravko Čeran, Stanoje Žeravica

The Language of Walls is a piece for seven female dancers and a one- man band, about sisterhood and personal liberation. Between worn- out wallpaper, bar stools and tables, the dancers perform a powerful jour- ney at the electro-acoustic music of Elad Cohen, exploring the female expression through dance. Moving between despair and order and try- ing to catch the intoxicating energy of life, the performers reach far be- yond their limits as artists, beyond the acquired shame and beyond the judgment of the society.

(Guy Weizman and Roni Haver).

The Language of Walls is a witty, coordinated performance, full of catch- ing, animating dance energy, and this impression is primarily achieved by the great enthusiasm and excellent interpretation of the dancers. Dealing with some typically female principles, Haver and Weizman spe- ak about jealousy, envy, vulnerability, fitting of an individual into the social events, about the feeling of being limited, and they do it in an attractive and convincing way which enables each dancer to show her individuality and her own artistic sensibility.

(Jelena Kajgo, 'Politika')